Showing Records: 1 - 20 of 128
Allos: 'Other' Language; / Gaburo, Kenneth, editor ; Goode D ; Cage J ; Cope D: of ia Mackenzie ; Gaburo K ; Sublette N ; Saville K ; Anderson VJ ; Burt W ; MacLow J ; Mann C., 1980
An ABC of Works for Artists / Lumb, Michael; Cardew C; Dimitrijevec B; Arman; Christo; Klein Y; Long R; Roth D., 1981
An Anthology of Chance Operations 2nd Ed / Young, La Monte, editor ; Brecht G ; Young L ; Bremer C ; Cage J ; DeMaria W ; Flynt H ; Ono Y ; Higgins D ; Johnson R ; MacLow J ; Paik NJ ; Riley T ; Roth D ; Williams E ; Wolff C., 1970
Brache di Gutenberg, Le: Cronaca: Istruzioni Per L'Uso (In Ordine Alfabetico), Omaggio a Satie. No.5 / Luciano Caruso ; Emanuele Paraito Mennitti., 1981
This work consists of a visual poem written on music score pages. The paper stock is rougher than the special edition that is also held by the Sackner Archive. This book is stored with Caruso publications. -- Source of annotation: Marvin or Ruth Sackner.
Brache di Gutenberg, Le: Cronaca: Istruzioni Per L'Uso (In Ordine Alfabetico), Omaggio a Satie. No.5 / Luciano Caruso ; Emanuele Paraito Mennitti., 1981
This work consists of a visual poem written on music score pages. In contrast to the ordinary edition, the calligraphy and abstract notations are handwritten in red ink. Further, the paper stock is smoother than the ordinary edition. This book is stored with Caruso publications. -- Source of annotation: Marvin or Ruth Sackner.
buchstablich Nurenberger wortliche Tage / Glasmeier M ; Heidsieck B ; Pimenta A ; Schauffelen KB ; Williams E ; Gomringer E ; Weiss C ; Nannucci M ; Kapielski T ; Butzmann F ; Johansson S ; Verweyen T ; Mon F ; Dohl R ; Bremer C ; Mayer HJ ; Thomkins A ; Achleitner F ; Solt ME ; Ulrichs T ; Kriwet F ; Garnier P ; Albert-Birot P ; Schwitters K ; Aragon L ; Jandl E ; Pignatari D ; Maurus H ; Ruhm G ; Hirsal J ; Grogerova B ; Vroom I ; Gappmayr H ; Saroyan A ; Claus CF ; Kolar J ; Ben ; Gerz J ; Porphyrii PO ; Simmias of Rhodes., 1990
Theodore Verweyen contributes an essay in which he compares examples of Baroque figurative poetry to examples of modern concrete poetry. Eugen Gomringer writes an essay that compares examples of modern German concrete poetry to examples from poets in other countries. -- Source of annotation: Marvin or Ruth Sackner.
Calligraphies / Melin, Claude ; Bosseur JY ; Peignot J., 1983
The book reproduces 19 experimental music scores, not intended to be played though according to personal communication with Melin, some have had a hearing. Several are based upon musical instruments like a violin. -- Source of annotation: Marvin or Ruth Sackner.
Chansons de Gestes: Musique et Calligraphie / Melin, Claude ; Bosseur, Jean-Yves., 1998
Clausola (Per 3 Escutori) / Castaldi, Paolo., 1961 - 1968
This work consists of experimental music scores with the elements of visual poetry and art. The clear acetate sheets printed with staves are overlays for a printed textural loose sheet. -- Source of annotation: Marvin or Ruth Sackner.
C/Loopseend/I / Phillips, Tom., 1966
This is another version of a drawing mentioned in Tom Phillips: Works Texts To 1974, page 250. The original drawing entitled, "C.Loopseend" (Opus 4) is in the collection of the Tate Gallery. It is stated that the work is a variant of Opus 2 but the piece is not depicted in the book. The Sackner drawing has the Letter 'I' appended to the title. -- Source of annotation: Marvin or Ruth Sackner.
Come in Here Child / Bedford, David ; Patchen, Kenneth., 1968
The words were written by Kenneth Patchen. -- Source of annotation: Marvin or Ruth Sackner.
Conceptual Music / Chiari, Giuseppe ; Cage J ; Martin H ; Simonetti GE ; Oliva AB ; Ben ; Ruhe H ; Dorfles G ; Miccini E., 1996
Conlon Nancarrow / Nadau, Jean-Pierre., 1996
This article decribes the history and the musical inventions of Colon Nancarrow and his scores for his mechanical piano. -- Source of annotation: Marvin or Ruth Sackner.